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- | + | ===== Creatures of thought ===== | |
+ | Exposures through water, through sand (including light) | ||
+ | |||
+ | Photographic paper is a rather patient absorber, and therefore very | ||
+ | suitable for these kind of experiments, as it is not as sensitive as | ||
+ | fellow film materials. In the thought-o-grahical context of these | ||
+ | experiments, light has a double purpose. On one hand it naturally | ||
+ | exposes all light sensitive materials and on the other hand it acts as a | ||
+ | carrier of something that I will call creatures of thought (whatever | ||
+ | these creatures of thought might be and wherever they might come from | ||
+ | and whatever they might tell me), I will maybe never know. It is also | ||
+ | not important. | ||
+ | |||
+ | The inclusion of light in these experiments allows or even enables these | ||
+ | creatures of thought to be absorbed and/or reflected and finally | ||
+ | revealed throughout chemical processing on the very photographic paper. | ||
+ | |||
+ | In my earlier thought-o-graphic experiments where light was strictly | ||
+ | excluded during the entire process, I was (and still am) concerned with | ||
+ | objects or subjects that reflect their specific memory, history, | ||
+ | feelings, atmosphere, thought forms etc.. onto the photographic paper. | ||
+ | Most of the time in direct contact, the object or subject emits or | ||
+ | transmits, the paper absorbs. | ||
+ | |||
+ | In both cases the sensitive layer acts as a revelation or mirror of the | ||
+ | presence of these alleged emissions or respectively creatures of | ||
+ | thought. | ||
+ | |||
+ | PS: Drawing with light, reflection and absorbation, creatures of thought | ||
+ | |||
+ | |||
+ | {{:lab:kathring1.jpg|}} | ||
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+ | {{:lab:kathring2.jpg|}} | ||
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+ | {{:lab:kathring3.jpg|}} | ||
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+ | {{:lab:kathring4.jpg|}} | ||
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+ | {{:lab:kathring5.jpg|}} | ||
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+ | {{:lab:kathring6.jpg|}} | ||
+ | {{:lab:kathring7.jpg|}} | ||
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+ | {{:lab:kathring8.jpg|}} | ||