The subtly exposed apparitions on my baryt paper prints are very difficult to scan, especially without being properly dry pressed. But still – it is possible to discover some flimsy silhouettes dwelling silently in the darkness.
Another spirit celeb’ materialised herself in my darkroom cabinet today. As I mentioned in an earlier post the long announced Star Shots III series is slowly shaping into a rather ghostly series of images through a somehow mysterious agent.
The scan of the original hand proof (b/w baryt paper) below resembles rather strongly a certain Queen B.
For now I cannot reveal how the spirit of living celeb’ star J. exposed herself on my photographic paper (image below), but I do sense quite strongly, that she won’t be the only apparition in my darkroom cabinet.
With the new series, Star Shots III will gradually expose the subtle agent mediating closely between the spirit and the celebrity world.
Another series of experiments using the little water mister. With an exposure time of 1 hour focusing the ever ascending mist into the sunlight, several layers of photographic paper ( I mounted 2 x 4 sheets on top of each other at the back of the pinhole camera), revealed after processing the imagery below.
In my latest series of experiments to reveal the odic negative I used a tiny fog machine or rather a water mister. Through a continuously ascending and descending layer of fog the environment got caught slowly by a medium sized pinhole camera, loaded with photographic paper.
The scanned result of the 30 minutes long odic exposure leaves me with a strange sensation of an infamous 19th century fairytale castle somewhere in the south of germany..
Several 35mm film roll containers were easily converted to pinhole cameras, loaded with a tiny snippet of photographic paper, and finally injected – through the help of several syringes and lots of patience – with differently contaminated liquids that I found in the huge repertoire of chemicals and experiments of the Laboratory.
Deep-frozen over night, the tiny cameras exposed their glacial contents through the spot light of a traditional photographic enlarger for about 10 minutes.
Water, contaminated with cpu’s
Below are the first two subtle fingerprints (at least without any uninvited guests!) of todays 45 minutes condensation experiments described in an earlier post. The first airy exposure faces towards the wall, the second the window front.
The first series of experiments concerned with the revelation of the odic fingerprint uses water condensation. The set up still needs to be refined though, but below you can get a rough insight of the experimental situation: Pinhole Camera, studio light, cooking ring, water, a pan and a very provisional see-through condensation enclosure.
While condensation slowly fills the air with its tiny water drops, emphasized through the studio lighting, the camera captures with an exposure of 45 minutes (still too little time, as the subtle result has shown) the odic fingerprint of the atmosphere.
They destroy the clumsy tools of their crime; they hide away the knife, the bludgeon; they sop up the blood, they throw it the jemmy, the dead man, the suffocated poor infant, into the ditch, the pool- and they leave intact the odic negative, the photograph of their sin, the thought thing in the air! He would tap his yellow brow significantly.
Here upon this sensitive sensitive plate I reproduce it, the hanging evidence! The headless child is buried in the garden, but the thought of the beheader is left to lie about. I pick it up.(..) What an art is the art of the odic photograph.
My latest experiments playfully try to reveal the odic fingerprint in reference to the above quoted odic negative: Long time observations through the pin eye of my newly built camera and direct exposures onto/off the surrounding atmosphere made visible through smoke, steam, condensing water, fire and ice.
Above is one of the first results. A 45 minutes recording of boiling water, patiently condensing and water brushing its tiny drops into the air.
Unfortunately, an uninvited guest has set himself just in front of the film holder and covered 3/4 of the image. I will never know what is hiding behind it. Still, the visible result is intriguing. I am looking forward to publish further airy experiments and their respective results soon!
Grimes Graves. Photographic paper has been rubbed for several minutes onto a decapitated birch tree trunk in the meadows of Grimes Graves.